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When Apollo (John Lloyd Cruz) finds himself surrounded by friends who are beginning to settle down, he is faced with the possibility of finding his true love. It all boils down to one name: Irene. It must be fate then, when he once again sees Irene (Toni Gonzaga), his ex-girlfriend from three years ago with whom he had the best memories with. Apollo and Irene were a perfect couple, and were engaged to be married. It all ended at the altar when Apollo had a bout of cold feet and left Irene alone in the aisle.
Now, Irene pretends to have no recollection of Apollo, having acquired “amnesia” shortly after their separation. Apollo sees this as the perfect opportunity to pursue Irene again, and be able to undo all the mistakes he made in the past, by offering Irene the best memories she could ever have.
True love is difficult to resist, they learn. Just when they find themselves ready to commit to each other, the pains from the past catch up with them, challenging them to finally own up to the mistakes made and lies said, and eventually realize what it is to forgive and forget.
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Rica (Judy Ann Santos) and Cecil (Sarah Geronimo) are sisters who grow up with their Lola Amor (Gina Pareño) while their parents work abroad. Rica takes her role as the big sister seriously, more so when Cecil gets hurt in a minor accident. She breaks up with her boyfriend, Bong (JC de Vera), and vows to devote her life taking care of Cecil.
The close relationship of the sisters starts to change when their parents return home tenyears later. Unlike Cecil, Rica does not warm up to their parents easily. She even gets jealous that they are taking over her role as guardian to Cecil. Things get worse when Cecil starts working and meets Edsel (Luis Manzano). Cecil tries to reach out to her, and tracks down Rica’s former sweetheart for her. However, the gap between the sisters has become too wide, and a drastic change has to happen to set things right again.
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Aguiluz and Alwina’s plan for a peaceful life as mortals is disrupted when their boat to the realm of man is caught in a violent storm. They wash up on separate shores, a young man and woman living without memories of who they are, and living separate lives. Aguiluz (Richard Gutierrez) is adopted by a humble farmer and Alwina (Angel Locsin) becomes the surrogate daughter of a wealthy family and is engaged to be married.
But when Ravenum is resurrected by Pirena, his evil army wreaks havoc on Abila, threatening the survival of the entire Mulawin race. Their fate now hinges on the valor of two of its two greatest champions, Aguiluz and Alwina. but will remember who they are before it is too late?
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An experimental digital film, written and directed by independent filmmaker Jon Red and shot on mini-digital video.
The film tells the story from the point of view and through the eyes of Bien, an assassin who suffers from astigmatism.
To achieve this effect, Robin Padilla also worked as camera operator while portraying the role of the killer.
Directed by Jon Red
Robin Padilla
Albert Martinez
Francis Magalona
Alessandra de Rossi
Ronnie Lazaro
Tado
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A co-production of Star Cinema, Octoarts and Quantum Films, Here Comes the Bride stars Angelica Panganiban, Tuesday Vargas and Eugene Domingo. In support of the lead stars are Jaime Fabregas, Cherry Pie Picache, John “Sweet” Lapus and PBB’s Tom Rodriguez (formerly Tom Mott).
Directed by Chris Martinez, Here Comes the Bride will open in cinemas on May 12, 2010.
Synopsis: Angelica Panganiban plays the role of Stephanie, a shy bride who is about to marry her fiance, Harold, played by Tom Rodriguez of Pinoy Big Brother Double Up fame. Stephanie is a Maria Clara-type of girl who will do everything to save her virginity for her fiance. One solar eclipse, while Stephanie is en route to her wedding, she met an accident that changed her life and the lives of people who were also included in that accident. The supernatural event that happened triggered the souls of those people in the accident area to go out of their respective bodies and transfer to the bodies of different people.
In the accident area, there include John "Sweet" Lapus's character. Sweet plays a gay make up artist whose soul ended up to Stephanie's body, turning Angelica Panganiban's character into a flirty, man-hungry sexy woman. This event makes Stephanie different from her natural being.
Meanwhile, Jaime Fabregas's character, a 69-years old man with seems to have no social life at all, his soul ended up with John Lapus's body. Now being a much younger man, Jaime Fabregas's character soul learns to become excited with life and finds himself a girlfriend. Remember, John Lapus's character is a gay make up artist, right? Hahaha...
What if a very powerful attorney's soul is transported to the body of a maid? This is what Eugene Domingo's character got into trouble with when her soul was transferred to Tuesday Vargas's character's body. Tuesday Vargas plays the role of a maid.
Now that all of the souls are all mixed up together, finding their body is not suited for their soul, how will Harold (Tom Rodriguez) find the soul of his true bride? Will he able to find the correct soul of Stephanie? Can the souls go back to their respective bodies?
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A tribute to the real potential of digital cinema, Slingshot is a slum epic on steroids.
It weaves stories left and right into a shocking tableau about life for the lowest of the low in the Philippines poorest and most crime-ridden districts.
National elections are coming up so in the usual attempt to appear "tough-on-crime", The Big Boys have been sent into crack down on the the local squatters, thieves and miscreants who litter the film like broken bottle.
And since no sweep is ever a clean sweep, the cops brutal shock-force tactics quickly ripple outwards with jagged repurcussions.
Starting from the films amazing night time raid and climaxing with a candle-lit vigil by those insulted by the empty words of the politicians, director Brillante Mendoza uses the camera's apparent attention deficit disorder to maximum effect, investigating lives at every turn and blending their true fictions right onto the city streets of Manila for a rich and incredibly immersive feel.
Much of this effect might have been entirely impossible to capture if not for the ease of shooting made possible today.
Mendoza is not only clearly aware of the technological revolution happening in his hands but he is able to seize it so well that he brings back to life the ensemble-cast movie on a level not seen since Robert Altman's finest films.
Directed by Brillante Mendoza and written by Ralston Jover
Coco Martin
Kristofer King
Jiro Manio
Jacklyn Jose
Julio Diaz
Jean Andrews
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Narrated through the eyes of a child named Bobet, whose mother, Charing, has an overwhelming reaction upon hearing of the death of her father Juanito. Bobet’s relatives all gathers together to mourn the loss of the patriarch. However, their superstitions about the dead and the family’s inability to deal with their issues in a civilized manner get in the way.
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Angelo (Eigenmann) is an orphan who turns into a serial killer. Despite the efforts of rehabilitation, psychological turmoil still haunts and prevents him from living a peaceful and ordinary life. Faced with this reality, Angelo searches for a way to exorcise his personal demons. In the end, he gets his just reward when he crosses paths with a demon that he himself created.
